Nathalie Du Pasquier Campo di Marte | MACRO Museum

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DISPATCH N° 18

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Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension.

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MACRO — Museum of Contemporary Art of Rome

2020 – 2024

NATHALIE DU PASQUIER
Campo di Marte

3 February 2021 – 20 June 2021
#Solo/Multi

French artist and designer Nathalie Du Pasquier (Bordeaux, 1957) presents, in the context of SOLO/MULTI, her first major solo exhibition in an Italian museum. Titled Campo di Marte, the show is conceived as a Gesamtkunstwerk — a “silent symphony” in the artist’s words — that incorporates a body of about one hundred works made from the 1980s to the present.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

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Nathalie Du Pasquier, Campo di Marte, exhibition view, SOLO/MULTI. Museum for Preventive Imagination, MACRO 2021. Courtesy the artist. Photo credit: Agnese Bedini and Melania Dalle Grave of DSL Studio.

Setting aside the traditional idea of a retrospective, the exhibition comes to terms with the vast size of the space, becoming a single, large, dynamic installation of multiple forms. Working on the walls as if they were immense canvases, the artist transforms the space into a unified scenario where visitors are encouraged to approach paintings, three-dimensional constructions, prints and drawings, juxtaposed according to various logical parameters.

With the support of Mutina, Pace Gallery, Apalazzo Gallery, Symetria, Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea, Académie de France à Rome – Villa Médicis.

Curator: Luca Lo Pinto
Coordinated by Sara Catenacci (curatorial) and Lorena Stamo (production)
Research and Production Assistants: Giulia Caruso, Maria Vittoria Di Sabatino, Alessia Procopio
Art handling: Fabio Pennacchia
Graphic production: SP Systema
Insurance broker: MAG-JLT
Shipment: Expotrans

With the support of Mutina, Pace Gallery, Apalazzo Gallery, Symetria, Nuovi Mecenati – Fondazione franco-italiana di sostegno alla creazione contemporanea, Académie de France à Rome – Villa Médicis.

In spring 2022, the exhibition will be hosted by the Musée régional d’art contemporain Occitaine / Pyrénées-Méditerranée of Sérignan; a catalogue will be co-published in this occasion.

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3. Elisa Biagini, Filamenti, 2020

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3. Self Portrait, poem by David Whyte.

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This Dispatch is dedicated entirely to Salvo.

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1. Franco Battiato, Di passaggio, from L’imboscata, PolyGram, 1996

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4. Gian Marco Montesano, …Il catalogo è questo! (Aria del catalogo), in Salvo-Landscapes, Trento, Studio d’Arte Raffaelli, 2000

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In this episode:

Giulia Crispiani reads Monsone Perpetuo, 2018

Sound by Federico Antonini

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In this episode:

1. Roger Callois, The Writing of Stones

2. Fairy Pitta, Lake Miike, Miyazaki, Japan

3. Lucy Lippard, The Pink Glass Swan

4. Steve Reich, Come Out (Nicolas Jaar Remix)

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3. Wyslawa Szymborska, Possibilities

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In this episode:

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3. Interlude 1

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5. Interlude 2

6. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 1)

7. Interlude 3

8. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 2)

DISPATCH N° 9

In this episode:

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2. Leonard Cohen, First of all, from The Book of Longing

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DISPATCH n° 8

This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening Event Horizon — Là où commence le ciel conceived with Filipa Ramos (September 2002).

Sources are, by order of appearance:

1. Anne Carson, Lecture on the History of Skywritings, © The Louisiana Channel, Louisiana

Museum of Modern Art, 2019

2. Forensic Architecture, Cloud Studies, 2020

3. Quinn Latimer, Dear Drone, Letter in response to Pauline’s video, 2020

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5. Michelangelo Antonioni, Au-delà des nuages in Rien que des mensonges, 1991

6. Helmut Völter, The Movement of Clouds Around Mount Fuji, Photographed and Filmed by

Masanao Abe, 2016

Produced by the Swiss Institute of Rome, in collaboration with MACRO, Rome.

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2. Eurasian Wren, Hakone, Kanagawa Prefecture, Japan

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In this episode:

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3. Patrizia Vicinelli, febbraio 1962

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In this episode:

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In this episode:

1. Timothy Morton, Thank Virus for Symbiosis, from The Corona Essays

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3. Patrizia Cavalli, from Le mie poesie non cambieranno il mondo

4. Aphex Twin, Tha2 (world scam mix)

5. Paul Preciado, The loser conspiracy, from Artforum

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Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it

Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it

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