Elisabetta Benassi, “The Dry Salvages 5729 Aureole 1”

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DISPATCH N° 18

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Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension.

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MACRO — Museum of Contemporary Art of Rome

2020 – 2024

ELISABETTA BENASSI
The Dry Salvages 5729 Aureole 1, dalle ore 18.00 alle 21.00

30 May 2024
#Solo/Multi

Within the exhibition Autoritratto al lavoro (Self-Portrait at Work) by Elisabetta Benassi, the installation The Dry Salvages 5729 Aureole 1 will be activated through an action.

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Elisabetta Benassi, The Dry Salvages 5729 Aureole 1. In the photo: Gaia Mancini. Ph. Simon d’Exéa

A young woman is seated and reads, in the book that accompanies the work, the identification codes of 330 pieces of space debris imprinted on clay. Each name, spoken out loud or whispered, corresponds to one of the 10,000 largest items of space junk in orbit around the Earth, an unusual archive of human presence in space. The action proceeds at intervals of 15 minutes throughout the evening.

Two exhibitions will be opened on the same evening: Roma 1961-1969, a retrospective on the American painter Marcia Hafif, and Il sospetto del paradiso on the poet Patrizia Cavalli.

Free admission.

Podcast Octupus

DISPATCH N° 18

In this episode:

1. Audio excerpts from Gianni Barcelloni’s video from the series Il navigatore. Ritratti di scrittori, 2006

2. Patrizia Cavalli, Isabella Ducrot dice di sé stessa, in Isabella Ducrot, Opere 1982-1985, exhibition catalog, Libreria Galleria Giulia, Rome 1985.

3. Patrizia Cavalli, Dietro non c’è niente, in Frida Kahlo curated by Achille Bonito Oliva, Silvana Editoriale, 2004

4. Patrizia Cavalli, L’intenzione e il caso, text written on the occasion of the exhibition I miei splendidi giorni tutti uguali, Studio Stefania Miscetti, Rome, 2011.

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1. Alessandro Barbero, La verità sulle Foibe, 2021

2. Lorenzo Filipaz, Foibe o Esodo? «Frequently Asked Questions» per il Giorno del Ricordo, pubblicato su wumingfoundation.com, 2015.

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1. Pascal Quignard, BUTE, 2008

2. Marius Schneider, La musica primitiva, 1960

3. Elisa Biagini, Filamenti, 2020

4. Diana Lola Posani, La cascata e la gioiosa permeabilità, 2022, originally published in English by The Journal of the Sonic Art Research Unit (Oxford Brookes University)

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1. We are witnessing a crime against humanity, article by Arundhati Roy, The Guardian, 28 April 2021.

2. Tropical Parula, Indaiatuba, São Paulo, Brazil

3. Self Portrait, poem by David Whyte.

4. Press release of the exhibition SOMETIMES DOING SOMETHING POETIC CAN BECOME POLITICAL AND SOMETIMES DOING SOMETHING POLITICAL CAN BECOME POETIC by artist Francis Alÿs at David Zwirner Gallery, New York, from February 15 to March 17, 2007

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6. Antico Adagio, music by Lino Capra Vaccina

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This Dispatch is dedicated entirely to Salvo.

In this episode:

1. Franco Battiato, Di passaggio, from L’imboscata, PolyGram, 1996

2. Salvo, 40 nomi, Gravestone, 47,24 x 18,11 in, Private collection, 1971

3. Salvo, Io sono Salvo, in Salvo – Sette incisioni e sette poesie, Marco Noire edition, 1983

4. Gian Marco Montesano, …Il catalogo è questo! (Aria del catalogo), in Salvo-Landscapes, Trento, Studio d’Arte Raffaelli, 2000

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In this episode:

Giulia Crispiani reads Monsone Perpetuo, 2018

Sound by Federico Antonini

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1. Roger Callois, The Writing of Stones

2. Fairy Pitta, Lake Miike, Miyazaki, Japan

3. Lucy Lippard, The Pink Glass Swan

4. Steve Reich, Come Out (Nicolas Jaar Remix)

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3. Wyslawa Szymborska, Possibilities

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In this episode:

1. Intro

2. Nicola Pecoraro, Respire L’infinir, 2020 (excerpt)

3. Interlude 1

4. Edited posts from the electronic music forum on www.gearslutz.com

5. Interlude 2

6. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 1)

7. Interlude 3

8. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 2)

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In this episode:

1. Randy Kennedy, Language as Sculpture, Words as Clay on New York Times

2. Leonard Cohen, First of all, from The Book of Longing

3. Brown Thornbill, Ambleside, Devonport, Tasmania, Australia

4. Etel Adnan, taken from The cost for love we are not willing to pay

5. John Cage, In love with another sound

6. Press Release Lo Savio, la Galleria D’arte Selecta, Rome, 1960

DISPATCH n° 8

This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening Event Horizon — Là où commence le ciel conceived with Filipa Ramos (September 2002).

Sources are, by order of appearance:

1. Anne Carson, Lecture on the History of Skywritings, © The Louisiana Channel, Louisiana

Museum of Modern Art, 2019

2. Forensic Architecture, Cloud Studies, 2020

3. Quinn Latimer, Dear Drone, Letter in response to Pauline’s video, 2020

4. Vinciane Despret in conversation with Filipa Ramos, 2020

5. Michelangelo Antonioni, Au-delà des nuages in Rien que des mensonges, 1991

6. Helmut Völter, The Movement of Clouds Around Mount Fuji, Photographed and Filmed by

Masanao Abe, 2016

Produced by the Swiss Institute of Rome, in collaboration with MACRO, Rome.

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1. Celso Amorim, A Post-Pandemic World Order, on Progressive International

2. Fernando Pessoa, Autopsicografia, from Una sola moltitudine

3. Spotless Starling, Toledo, Castilla-La Mancha, Spain

4. Emanuele Coccia, extract from Astrologia del Futuro, Flash Art

5. 99chants, chant#1: DAVID AUGUST — DCXXXIX A.C.

6. Press release of the exhibition Under the Sun, by Lawrence Weiner, in 2009 at Espai d’Art Contemporani Castelló

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1. Jörg Heiser, Artists in Quarantine, public intellectuals, and the trouble with empty heroics

2. Eurasian Wren, Hakone, Kanagawa Prefecture, Japan

3. Giorgio Caproni, Sassate

4. Press release of the exhibition Soul of a nation: art in the age of black power, 2017, Tate

5. Amiri Baraka, Who Will Survive America?

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In this episode:

1. Slavoj Žižek, What I like about coronavirus, on Spectator Usa

2. Yellow-Fronted Parrot, Wondo Genet Forestry College, Southern Nations, Ethiopia

3. Patrizia Vicinelli, febbraio 1962

4. Wolfgang Tillmans, On My Own, 2018

5. Press release of the exhibition Visual and Non-Visual Art Expression in 1940 at The Museum of Modern Art

6. Arundhati Roy, Il nostro compito è fermare il motore, from Comune Info.

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In this episode:

1. Bruno Latour, Immaginare gesti-barriera contro il ritorno alla produzione pre-crisi, from Antinomie Scritture e Immagini

2. Laughing Falcon, Sendero Ojo de Agua, Guanacaste, Costa Rica

3. James Lee Byars, Text of The Hundred One Page Stone Books

4. Arvo Part, Salve Regina, 2006

5. Press release announcing the Robert Morris exhibition at the Tate Gallery, scheduled 28 April — 6 June 1971

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In this episode:

1. Filipa Ramos, What the virus wants, from The Contemporary Journal

2. Northen Cardinal, Merritt Island, Florida, USA

3. Bernadette Mayer, Fish & Chips, from Poetry Foundation

4. Giacinto Scelsi, Chukrum

5. Press Release of the exhibition The Clock, Christian Marclay

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In this episode:

1. Giorgio Agamben, Distanziamento sociale, from Una Voce on Quodlibet.it

2. Chipping Sparrow, Washington, Maryland, USA

3. Open Letter II, by Storm de Hirsch, from Mythology for the Soul: The Collected Poems of Storm de Hirsch

4. Sabbie Vergini, Albergo Intergallatico Spaziale

5. Press Release of the seminal exhibition Information, which took place at the MoMA in 1970

DISPATCH N° 1

In this episode:

1. Timothy Morton, Thank Virus for Symbiosis, from The Corona Essays

2. Melodius Blackbird, San Josè, Costa Rica

3. Patrizia Cavalli, from Le mie poesie non cambieranno il mondo

4. Aphex Twin, Tha2 (world scam mix)

5. Paul Preciado, The loser conspiracy, from Artforum

Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it