In First Person Plural. A film by Carlo Lavagna

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DISPATCH N° 18

01:59:59

Dispatch is a podcast created exclusively for the museum’s website. An audio bulletin of knowledge which brings together excerpts from books, essays, aphorisms, poems, press releases, soundtracks, and stories in a diachronic dimension.

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MACRO — Museum of Contemporary Art of Rome

2020 – 2024

In First Person Plural. A film by Carlo Lavagna
9 min, colour, sound

#Video #Solo/Multi

Director and screenwriter Carlo Lavagna has realized an original story in the form of short film about the In First Person Plural exhibition, held in the SOLO/MULTI section (27 April 2023 – 24 September 2023). To translate the experience of the exhibition into video, Lavagna combined original and archive material from old VHS tapes, and transformed it using artificial intelligence. The film is an impossible journey into the director’s memories, in search of an exhibition that really happened or perhaps was just a dream. Lavagna told: “I wanted to make a small film that would capture the concept of the uncanny, which is behind the exhibition In First Person Plural, to create a fantastic tale in which time and space overlapped, a bit like in a Borges story.”

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DISPATCH N° 18

In this episode:

1. Audio excerpts from Gianni Barcelloni’s video from the series Il navigatore. Ritratti di scrittori, 2006

2. Patrizia Cavalli, Isabella Ducrot dice di sé stessa, in Isabella Ducrot, Opere 1982-1985, exhibition catalog, Libreria Galleria Giulia, Rome 1985.

3. Patrizia Cavalli, Dietro non c’è niente, in Frida Kahlo curated by Achille Bonito Oliva, Silvana Editoriale, 2004

4. Patrizia Cavalli, L’intenzione e il caso, text written on the occasion of the exhibition I miei splendidi giorni tutti uguali, Studio Stefania Miscetti, Rome, 2011.

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3. Elisa Biagini, Filamenti, 2020

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1. We are witnessing a crime against humanity, article by Arundhati Roy, The Guardian, 28 April 2021.

2. Tropical Parula, Indaiatuba, São Paulo, Brazil

3. Self Portrait, poem by David Whyte.

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This Dispatch is dedicated entirely to Salvo.

In this episode:

1. Franco Battiato, Di passaggio, from L’imboscata, PolyGram, 1996

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In this episode:

Giulia Crispiani reads Monsone Perpetuo, 2018

Sound by Federico Antonini

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1. Intro

2. Nicola Pecoraro, Respire L’infinir, 2020 (excerpt)

3. Interlude 1

4. Edited posts from the electronic music forum on www.gearslutz.com

5. Interlude 2

6. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 1)

7. Interlude 3

8. Introduction chapter from The Last Man, by Mary W. Shelley, 1826 (part 2)

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1. Randy Kennedy, Language as Sculpture, Words as Clay on New York Times

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This podcast was made during Pauline Julier’s residency at the Swiss Institute of Rome, in occasion of the evening Event Horizon — Là où commence le ciel conceived with Filipa Ramos (September 2002).

Sources are, by order of appearance:

1. Anne Carson, Lecture on the History of Skywritings, © The Louisiana Channel, Louisiana

Museum of Modern Art, 2019

2. Forensic Architecture, Cloud Studies, 2020

3. Quinn Latimer, Dear Drone, Letter in response to Pauline’s video, 2020

4. Vinciane Despret in conversation with Filipa Ramos, 2020

5. Michelangelo Antonioni, Au-delà des nuages in Rien que des mensonges, 1991

6. Helmut Völter, The Movement of Clouds Around Mount Fuji, Photographed and Filmed by

Masanao Abe, 2016

Produced by the Swiss Institute of Rome, in collaboration with MACRO, Rome.

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1. Filipa Ramos, What the virus wants, from The Contemporary Journal

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3. Bernadette Mayer, Fish & Chips, from Poetry Foundation

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1. Timothy Morton, Thank Virus for Symbiosis, from The Corona Essays

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Contact
Maddalena Bonicelli
T +39 335 6857707
m.bonicelli@museomacro.it
press@museomacro.it