FEDERICO ARANI (Rome, 1995) is a visual artist working between London and Rome. His work revolves around the desire for contact and the tensions arising from the clash between human and non-human localities and complex temporal diffusions. He also curates exhibitions and cultural events. He is co-founder of the artist-run Porto Simpatica e creator of Progetto Scoppio.

CAMILLA CARROLI (Faenza, 2000) is a multidisciplinary visual artist who investigates the relationship with matter in the relational dynamics of contemporary society, starting from the research and selection of the waste materials it produces. Her practice focuses mainly on the theme of felinity. 

IRENE COSCARELLA (Alba, 1997) cultural educator and independent curator. She reflects on dialogue as a working practice and finds in the field of education a tool for reinterpreting contemporary social dynamics.

STELLA LIANTONIO (Bari, 2000) is a visual artist and researcher. Her multidisciplinary work tackles the issues of representation and reproduction of violence, embodied knowledge and spatiality, and the codification of movement.

GABRIELE MAGRO (Turin, 1998) writes. He is also involved in cultural design and contemporary art. He tries, as far as possible, to get things right.

DAVIDE MARCIANESI (Castiglione Fiorentino, 1996)  is an interdisciplinary designer and artist based in Milan. His practice works across research, speculative design, editorial projects and temporary installations to explore future and alternative scenarios for the (more- than-)human society, often employing horror as a medium to exorcise current conflicting paradigms.

TOMMASO PANDOLFI (Ancona, 1995) is a musician and visual artist. A drawner and composer of electronic music (as Furtherset), in both practices he captures and highlights the tension that originates and runs through them, remaining on the borderline between expression and strict formality. He lives and works in Venice.

ARIANNA TREMOLANTI (Rome, 1994) is an independent curator. Her research in the field of gender and postcolonial studies addresses the intersection of visual and literary text through a comparative theoretical approach. She holds a degree in Modern Literature from Roma Tre University and a degree in Visual Arts from Naba Milan. She is co-founder of the UVA artist-in-residence project.